0: Окей, пауло, портогези Хиз. Найти золд today the second of november to таузер твенти Ван лес и lil bit about him so paulo портогези бон. Он the second.

1: November nineteen thirty one in rome is an italian, архитект теорит, historian and professor of архитектор юниверсити лас апиенс ИНН ром хи зе форма президент оф the architecture секшен.

2: Nineteen, seventy найти, найти ту so you know i know for he was the president of of of the.

3: И of the journal контрасти энд дин оф зе факти архитек, её политехник оо милано юниверсити, Фром найтин сиксти ту найнтин севенти со фортен.

4: The office архитект скул архитект юниверсити комплит.

5: Nineteen fifty seven he begin teaching the history of criticism that same факульте найтин сиксти Ван портогези опен н. Архитектура практис виз архитект инженер витторио джильо.

6: Boney найтин твенти Ван in rome in nineteen sixty four.

7: He has special in teaching and ресечинг, классикал архитекте и спешали барокко, архитекте н. Партикуляр, Бормин, батло, майкела, Хиз интрестинг мор, контемпорари, архитекте коин.

8: This is calling ром бруно цеви ИНН чемпиони мор органик форм модернизм эвидент ИНН форист зе ворк оф Виктор хорта энд френдли райт and italy with no really.

9: And the liberty style that has конину португез R&D из and his own a it is also эвидент ин Хиз консерн фо зе стадис оф нече.

10: To the four in here more reason бук нэчурал архитекта ввёл рисент зе тайм вен зис. Текст was written i shall have this book на архитекта энд и is a very nice book. Окей соу летс лук это.

11: Picture this нам архитект хуху Бо джованна энд ай во the to us.

12: You know the workers but anyway, i get head merry фрутфул, мэридж инсис, найти от and i пасибл и iv Ван хандрид.

13: He his in his all the all that all the words, and but with the янги шерт соу ту спик. Ай like him in the spook, офкорс ю ноу.

14: Hurry, he look romantic and what can you do Италия, но how to dress with the exception and general and

15: No exception here is the truth of the marry you know i think we носта эбаут зе тайм бикоз ай донт ноу май дримс энд.

16: Architects вери реалии ко найди with the harsh reality зис мэн what was a very ка man and and you know i think we need such архитекс ген.

17: Why? So when i left from меня, if i regret something besides you, no living my family was the fact that i left секол до the witch. Was. Remarkably, ИНН.

18: For you know most difficult to компред хау хау хау зет магазин you know was паблиш н u know in the darkness of community спешали, итс Эдита дали.

19: And i like даника в and the architect and like polo португез, ай синк ви нид энивей, ай соу хэв ту тел ю из нот вери.

20: I had with me магазин you know the rumenian архитектура магазин архитектура виз виз сити холл бай алифант ИНН бай амаре энд ай.

21: Ту ту порто, з. And i was very surprise when when he said he look the image public in the magazine, and he said it, its very primitive, i would have never thought.

22: Building the what he thought энивей сам drawings by paolo портогези.

23: This catch is anticipate вот you are going to see lil bit лейте.

24: Indeed, he was, he was промоутинг самкай н. Органик архитекте со i imagine you know this сам инфлуенс каминг Фром эт лист Бо Омин.

25: Whom he раут и the experts in боромина? Хэвэн энциклопедия арт the the article on боромина экшели риттен бай бай портогези.

26: This is the study for the centre исламик-ка inn in rome, which i built ви а going to sit.

27: These are эрли эрли воркс самое a good i think again from the same you know.

28: Monument i could sir work for the islamic исламик ли in rome now the bill works лет me begin with his his works.

29: Body and this one i saw in the invitation нет и в инвитейшн ту зе презентейшен тудей ай like this building very much i think i one of his best works from найнтин фифти Найн энд.

30: Yes, he is this what is a problem, but but the building.

31: While и spire бай the baroque, архитекте из still модерн, билдинг энд зис из not easy to do and you know look at the plan how he write.

32: Дай датик ей, you know how he you know of this кариес бай using the circles that you that you see here in this, in this, in this plan.

33: So, this is from найнтин фифти Найн.

34: Its a good building i like you know the building and you know.

35: Green of the end the building where is this is bad, but turning it back on the car of modern.

36: This is a building информ бай the history of the place and the call history theory and you know its not building that turns.

37: Он, он, он the past фар Фром ит.

38: Casa, балди.

39: Paolo портогези и white very well, by the way, if you want to read u know инфор сенситив, текст about architect is one of the of the people, who do self?

40: This is the plan that the skin set you you so ли nearly стадии бат зис из the plan of the house is not you know биг хаус.

41: But it is interesting and in call of the architecture ворк оф хуго и hugo and german who post the ям.

42: You know конференс бикоз хэрринг войти сама органик архитекта ин оппозишн ту вот промоутит хуго хэрринг вери гуд архитект н Ван дер ту би.

43: И ставит kerfuffle.

44: So this истил каза балди балди ИНН ИНН Италии бай пауло портогези.

45: You know even the the the a the of the stare из из original, but not или original из из из queen.

46: Time it is mine, it is a, but some how you feel that the behind the architect.

47: Continue not just the break the innovation мин. И also you know alain с of many layers of архитектура.

48: History and culture and you know a such i think there is a certain виздом ин the kind of architecture that most of modern архитек да h. And didnt have.

49: Алло.

50: And i like, you know, this is not hidden, из not you know is not cover to пластер из left like you know you see how the wall was built.

51: Не friend, оно пало портогези, мор, the intellectual and критика, 3 the bad the beginning of each.

52: Paolo портогези хэд сам сигнификант проджектс энд ту бэ лейт сами n. N vs will arrive.

53: I say this is a very pleasant империи из not i dont know about the sofa, but the sofa а not his idea anyway, you know that its a building which is not?

54: Try any way to be provocative Бата имэджин из э вери презент хаус two living.

55: Connect with that certain паст.

56: Now maybe this creature а more bass in the in in the plans ден ин the section and this may be либит проблематик бат ви со so like here you know in the.

57: The oh, so, you know вертикали соу фикс i have do have сет комплексити.

58: And её и money the lights н из, но не андрои из beautiful.

59: Shoot by and casa Андрей Кандилян, сканди скандия ес найти сиксти фор.

60: Building by paolo портогези ночи i dont if i have i dont have very great резолюшн о this but you can see this is модернизм зис из нот постмодернизм базиса Фром найти сикстис.

61: And you know it, which is sorry for таки.

62: The spirit of geometry, and the spirit of fines и we have Бо и interaction between the two and i wish i have better picture.

63: My interest me.

64: Lily vortex, пало Порту и mayot.

65: To which is which is not bad all, which i in the in the post, that i sent out, but the building оо i dont know what вот the ship и doing at.

66: Its provocative пикча и the building сети ю ноу модернист энд ю хэв this the рулит оф the ship in front of in front of the building.

67: How the two?

68: You have to you have to give that you know?

69: You know н серии to have the same редис энивей оо the dark side of of the drug is not so are in the in the.

70: Experience of of the building.

71: Я l. I wish i had better picture, but you so this house by now another house from найнтин сиксти, фор каза, беби лака.

72: In a way, i. No similar to the привес Ван бат ви за дифферен сеттинг.

73: I wish these steps he were not right if there were just конкрит лайк лайк за i think i. Тут хэвин, бета бат, вай y thing is interesting and know this is the house.

74: And i dont know how it is called this one and its interesting its an interesting хаус хиа ю c. This this kind of you know фрагменте оф зе фасад ооо нот.

75: Can you know in the 60's оо фифти оо 70's soul he had he had his original ideas about about архитектор.

76: Learn how it is done you know its music, its its it and i like and so yes i.

77: Зайди стиль дизайнс на вот найти.

78: But again this is different buildings сорри, i dont know why these two buildings are you no other like this?

79: Тут и ice tattoo.

80: This one as well.

81: Mother термина дон a i dont know i see eye of the of the steps.

82: On the desk. Ну, to be to the кальяри найти сиксти файв н. Пикчер, касса, касса папа не папа.

83: Roma in rome. Найти сиксти сикс ю си. The complexity is not on the.

84: Colors?

85: Interesting балкон из экшели зис зис из the plan of the house that we we we just so not see, but this one this was the plan you remember the balcony.

86: Ari. Weiss.

87: Yes, this is the house. Сорри фьючерс ю и ю.

88: Капает.

89: Without any doubt пауло портогези, хэдэ лайкинг фор орнамент энд зис воин сам z ортодокс модернизм, воз нот комфортабл виз.

90: Now you see you so the plan, and now i see the section, and the section ю. No doesnt have the same юно комплексити формал комплексити зе план соу ли my.

91: Problem but стиле раде интерестинг билдинг.

92: This one before.

93: The truth is you can do it this is vertical элемент ю ноу they could work for most buildings.

94: Вот из гоин он chaos and architectural ей.

95: Дизайн форни мейби дизайн the table итс поссибл, да и the table is you know карелии формали ту ту the architect, ту ту the scene.

96: I dont i think he, he, he and very interesting архитек магазин i dont know if i still be пабли Копалин, энд мейби, ю херт ми.

97: Polina and the poet пол валери ху identifier пао портогези ней из архитектур магазин упалино.

98: I saw one one, but i dont know if i still published.

99: Now this one is good work from and sixty nine the church сакра фамилия ИНН салерно энд конкрит ю ноу сам id колит бруталит ворк.

100: Бруталити бруталит энд the work is good that империи лайк, умрите ум. N.

101: I think he has quality.

102: I think his father was also н. Архитектура, инженер iii экшели вот his office in it драфтинг, борд зет билонг, ту Хиз фазер энд ит воз Ван оф зоус, инженеринг драфтинг бордс.

103: You know i dont know how to how to describe you know that we the drafting борд ю ноу бинг мб. Two very and i know i was standing up i.

104: The drafting борд anyway its a good building with one it really and its last known the other church билдингс Фром зе тайм.

105: I only hope not in like it was it was much.

106: Colder инсайдера аутсайд.

107: Но.

108: Some how you see when the church дазнт хэв чёс оо бенчи ин май ПИН амосфер из Клоус ту вот should be the chairs and the benches самтаймс.

109: Не the use the drama of the space ai se косидо зе грейт косиос оф зе бегининг н and.

110: One вандер шут one seat in front of good you know maybe it's not the most пропей о in front of good and izi.

111: The cheese in the house of good.

112: Another house of me.

113: Now royal court Аман джорда найти севенти сри итс е project i do but you see you can see симиларити в this project and what we.

114: The moth кино, and this is the buildings that was been дизайн, why i was there, but not on the same в people in in the basement of the building её дизайнинг в working on the.

115: Rome from найти севенти фор ввёл зе проджект Беген найти севенти фор i was the night one still working on it and.

116: Could have been нет show different kind you know would not have been easily консиб интерсен ортодокс модернити

117: Its intentions are correct, but it is my daddy and is somehow рационалисти сама in contradiction.

118: With the лабиринт формс Ван файнс инсайд итс э ладж билдинг, ай диднт сит, но when i was on and i can regret but.

119: You see how how it became? You know this this view is not no one to be my the building was not cat very good shape.

120: Level интеншн.

121: Формат to die is interesting.

122: It becomes too декоратив сам хау тектоника ли doesnt seem to have you know the power to convince бат и try some here that.

123: Was well and interesting and you have to understand this building was without параметрик дизайн визаут скриптинг программинг энд лук вот going on that you know.

124: This was done in the present, you know like that hotel there the structure бикей менемен бикейм стракча.

125: Using the tools of today, maybe the works of day have in my be too slick фор май.

126: Unique ю ноу соник н. Лабиринта но for биг мули.

127: Но сервинг Муслим, ренату тут in the seventies, фо зёрен, вич Хэди, specificity, бат.

128: Бистири, ай файнд, проблематик, дроуинг, ю, ноу, вот speed.

129: Such билдинг, ИНН ром ноу ю хэв, сам пьетро н the vatican из in itself, сама провокейшн, бикоз оф the function.

130: I wish ли iii вводит энивей.

131: Damon damon, итд. Топ.

132: Немо.

133: I wish he play more with the phone you know i like или houses you know to be more органик мейби хи воз нот ай донт ноу ай донт ноу эни хи дид вот he did.

134: Now the academy fire аквила найти севенти, найти it to

135: Кондоминиум тарквиния найти эти one but no pictures Тега резиденс зис воз Дани джермани фо зет ю ноу интернешнл колл фор хаузинг.

136: Берлин лаунж её сам вери импортент арктике тайм контрибьютит из this is a building.

137: Ай ай, севен.

138: Like mine in hungry in public on him.

139: I dont know i mean.

140: Ай ай ай донт вонт ту ту на ту мач интеншн а just like in?

141: I think that тектоникс оф зе билдинг и ту литер сама иис, но тракер и комплек.

142: Working if you, if you for it's very risky, but and and.

143: Но surprise инглии дифферент архитекту спик.

144: And the от that if you see buildings, но кумбии ю ноу.

145: I постмодернизм ю в believe your eyes you know кенго Кума бинг скил фул, архитект энд и just made him икона Кинго Кума зет хи мейд ми стейкс вен хи воз янга.

146: И certainly did a believer чойс из имеет энивей зис из пао португеза полите полите 3 консар.

147: Canta ro, i dont know it's like me, and you look, a the windows не not the windows.

148: Modernity.

149: Сорри, фолит.

150: I wish i was more radical and more force, full and more and more, но конвеншн сам ау this these buildings are not bad, but we walk из work summer this tower is.

151: Il mio фри ту, what i have love to see this building by its, very its and its not like.

152: Sixty seven one is it you know?

153: I today стандарт зис тауэр стен аут энд ай синк итс и to bed was not beat.

154: I think i тут Хабин вери интерестинг тауэр.

155: Because it has Бо ордер n d ордер n you can come мост и not оо the towers би би тудей н and you know that so many proposes фор тауэрс энд зе.

156: But this building is different you know ill have the typical класс фасад ю ноу ю ноу джаст класс ю хэв это and you have vertical виндоус индивидуал в.

157: Its a very different концепшен эбаут вот tower куд би or shut би.

158: Goodwork май португеза.

159: Anna проблем найти, найти what can we say рикардо Бо.

160: Of the same nature i not too much need i dont вот to diana if you look a this work, and then you look a this work.

161: By the same persons and the same card архитектура вот the in barcelona, во сами вери дифферент Фром вот in paris.

162: Amazing how the twenty постмодернизм сори.

163: Татарин вери вери, вери конвеншена.

164: I know that it was the тентейшн ту ту ту коннект и history to bad bad.

165: Its комплект, но би дан this way i think.

166: Its very статик нау э тейбл тейбл вич из very much in the same форма лэнгвич виз вот ви со the mosque in rome.

167: Не santa maria de не no pictures i i dont know i could find пикчерс фо сами.

168: One here i have i have this picture, and this one its interesting the ceiling оо the руфинг ес ит из интерестинг вот is underneath ай донт ноу бат.

169: Earth to топ i think that building has has интерестинг interesting архитек, зе гранд, Москин страсбур ин фронт.

170: I don no Амин.

171: I may be de grand моск пат.

172: It is i dont know me.

173: Sabai и ice in the context.

174: Market, модернити, ту лук, эт самфинг, лайк, зис.

175: So im not sure. I can Валей зис воркс, а вейтли.

176: Икра стрендж.

177: Now заха хадид и work for the same for the same building for the same function in страсбур персоналии ай лайк мор вот заха хадид.

178: You know its истории.

179: Baby time ii the building by hand so that in таленти парк Рому.

180: Пармен билдинг комплексов я блок о let's.

181: Алло, Амин.

182: Gardens in france no image тордер спиро Шанхай ит. Воз нот билд бат иф ю лук эт.

183: Project where different from the tower чайна Бо но just чайна соу Хитина поп хи хи и 2GIS ней марко.

184: Василий.

185: And you know i dont exactly when he here but its an interesting.

186: Maybe ту ту ру на the town hall where in germany, its и this work.

187: I dont know the function of this is, but you know still in the spirit of what he did привесли.

188: Я not not very ингейдж, сам хау бикоз рада статик.

189: I вот сейм интерестинг, а static, static, вертикал, архитек.

190: Декоративную н. И public Шанхай, чайна н.

191: And i land is rather имперфект презентейшен виз, сам букет и publish this is the book, which i have and its, a nice book неча архитекте.

192: Publish бай Скира ИНН ту инди ту Таузен. Рома боромина. Ленгвич индид хи вери. Нолидж. Эбаут. Францеско. Боромина. Оо.

193: Great экспертс он зис вери импортент архитект энд Виктор хорта, франко Борсин пауло портогези, грейт, belgian, архитект.

194: Виктор хорта энд зис из the book about пауло портогези, пауло портогези, архитект бай, франческо готтардо.

195: And this is here модерн модерн, а exactly we are going to to be.

196: Its постмодернизм и something, but i would say фейлд зен deconstruction тентид самфинг энд о so well i would say it failed.

197: But then you have тектони энд параметри изм вич, патрик Шумахер, сот зет ю no follow the two транзишна периодс постмодернизм энд.

198: Deconstruction and i dont know i dont know из из параметризм гоуинг ту би патрик Шумахер и the style the Сокол стайл оф зе фьюче но.

199: Патрик Шумахер со модернизм оо модернити хэд намбер оф Сокол стайлс зен ю хэв зе транзишн хи лав the world style а. L в contest that world.

200: Bad патрик Шумахер лав соу и the modern style modern стайлс ден зе ту транзишн стайлс постмодернизм deconstruction and than five.

201: Анти нау стайлс оф the the style би параметрии ви вери subsidiaries лоббизм энд the last one being тектони.

202: I dont know i dead by paolo портогези и on the демо рос and you know here the.

203: Нет.

204: I dont know how is going to be born the modern архитек ви а still with in modernity and in my marks португезе, архитекте.

205: Another book on his work.

206: And another one он, он Бормин байхим.

207: And one on which you see химии и this war, and and what he did in in this презентейшен.

208: Of that work and the hand of палладио бат.

209: I dont know i i dont see yes, its his name to earth пауло порт n. Самое the road this book the hand of палладио.

210: Anna Италии extremely rich in culture in general and и architect, и particular and his one he was one his one of the architects of time ром оф зе ренессанс, пало португ.

211: The book every ленд мен пауло, потом i almost fell to say to learn because sometimes Питер айзен Ван с you know you have to move beyond бион, но.

212: So you are you are you you but even понт ю хэв ту ту ту олмост форгет Альберт Айшан сэд ай эдьюкейшн из вот ю из.

213: Forgot everything you and i believe i was right so again эдьюкейшн из вот ю. От thing that you.